english name birth name thai dob / age height / weight hometown residencies personality occupation western zodiac eastern zodiac ten legends Chittaphon Leechaiyapornkul ชิตพล ลี้ชัยพรกุล 162 cm / 53 kg february 27, 1994 / 27 Phuket, Thailand HI, CA, NV, MA INFJ | 9/4 Choreographer & Influencer pisces wood dog
Birth of Light
There are bad men and then there is Utt: a man to whom life held no meaning. A man who saw no one as person but extension of his own desires. Those who could do nothing for him were better off taken from the Earth. No one was spared from the wrath of him when anger rode up: women and children were just as often forgotten to the missing posters as the men who worked for him. So, when Chrissy met him, she knew what had to be done. The day they met, Utt had a family of six killed; until the day he died, it was the last direct order of cruelty he gave to any of his men, only ever accepting the shoulder of blame for those who had died thanks to the mishaps of his trades gone wrong.

For centuries already she had done right by it. Marrying mortal men and immortals alike, taking their torment and anguish against the world and returning it unto them when they time was right. Utt would be no different. For 5 years she tolerated Utt and his violence; took the brunt of his anger instead of letting him take it out on the people around them. She gave him two children — even turned the first from girl to boy for his sake, so he would still have hope to continue on until she could truly damn him. That was Ten — Chittaphon, in the nature of the nariphon that Chrissy herself had helped culminate the mythology of.

The magic of the baefa used to alter his birth affected him. From the start of light as he dawned from his mother, Ten was powerful. It was a hardship to teach the boy his truth so young but Chrissy did what she had to; it didn't stop him from growing resentful of his own father, of course, but nothing really would. He was marbled in the light and that meant all the worst of man would always seem too awful for him. Knowing the nights that things got bad made childhood anything but normal — or easy. But it did make things Fun. Ten moved himself through the world with an ease that people never expected. After all, wasn't he the son of that man? And yet Ten seemed as kind as the morning light, always hanging out with other children, dancing and singing and climbing up trees as much as any of the others.

Not normal but rather ordinary in its young and magnaminous nature.

Which is what made the unexpected become so rather typical. Tuesday, the 23rd of November in 1999: Loi Krathong in Chiang Mai. With his younger brother, Bank, at his side, Ten had gotten used to ignoring break out fights from his parents already. Tiny hands fumbled at building a boat for Bank to shove off on the water as the fireworks went off and the shouting became out and out screams; not of Ten's mother but other ladies around, who watched Utt's head splatter onto his own children. Ten doesn't remember very much after that: the explosions were so bright and colorful that he can't recall it all, just waking up the next day in a cabin with his mother and some people in suits; his requite had blossomed, suddenly, and the men who'd came for revenge against the family were gone now. The damages were being paid for by Chrissy and training... well, she would handle that, too, she said. Proof came in the strength she carried long before Safe Havens were even an imagination.

Back and forth from Sarmda they would go. A world where Ten didn't have to sense and feel the sin, the urge to dive in and protect others from it. He could focus instead. He could met what remained of his family line, an ancient heritage dwindling down over the centuries. Home schooling, moving, drifting in and out. Not safe from harm because they never really feared the men who would come after Utt; but Chrissy also knew her children would have friends that could meet danger, could find risk. So the less time they spent in the presence of his influence, of routes and runs that had belonged to him, the better. So, Sarmda drifted to America, and America became the true focus of home. But Ten, the boy who wasn't a boy, whose spirit itself was light too strong to simply bloom but needed to explode, had plans of his own.

A Moon That's Full
Between home schooling and his various gifts, graduating high school early was easy. And it couldn't have come at a better time, really; Ten was already winning local dance competitions at fourteen years of age. At fifteen, he finished school. He started to tour with his dance troupe, participating in competitions he won in Vegas, California, Canada and even Colombia. By sixteen, he was moving to Taiwan to work on a career choreographing for pop stars: it started with Jolin Tsai's Black Haired Beautiful Girl. It had been an opportunity through the agency he signed to and he took it instantly; not knowing her, her songs or the language, Ten went anyway just to enjoy the chance. It was the turning point of his lifetime, both in career and personal journey.

For as long as Ten had known the world he had sensed the evil he could fight. Chuando was the first man Ten encountered who he truly wanted to stop. It wasn't that others hadn't been evil, really, but they were due to find their justice; Chuando was not. So, Ten welcomed his older charms and made quick work of leaving a hotel room to start living in Chuando's apartment. For a year he bustled to and from, working on buliding his career and coming home to play fuck toy and baby boy to Chuando; it left him in tears until the end, the warning Chrissy had given. A spark in him set off and Ten knew then — he had enough in him to make true moves. The restaurants crumbled and Chuando became less than whole before his very eyes as money drifted from him outward to the world. It was, in its own right, a triumph.

From there, it became easier. The light funneled through him and Ten was able to sustain himself, and others, off it; he learned to manipulate his curses, to harness and grow them. He learned, too, to give gifts to the kind men who learned his truths and didn't take advantage of him. Each man became a new challenge, each hero a new reward. It became a balance he could strike behind the scenes as he grew his name and image into something of importance in the world. It never did to make his relationships all that public; even those who had themselves fame or fortune Ten kept to the privacy they needed. It made the transitions easier, made the way they began to crumble all the kinder. Friends, family who knew of him would forget slowly — they would see his light and he would become 'that dancer you used to see, what happened to her?'. Few have ever had the luxury of more; it leaves their minds drenched in paranoia and fear, worries he will return with worse.

The rest of life found its way. Between the tangles of lovers good and bad, his career bloomed; Ten worked so often with pop stars he was even given a few shots at being one himself. SM Station singles based in Korea, mostly, sure, but a pop star all the same. It was fun, it is fun, but his heart will always be in guiding and teaching instead. In growing dances that touch and affect people's hearts, more than performing them himself. He teaches once a week, masterclass lessons for those who want to get somewhere, choreographs almost daily and finds his way back to Hawaii to unwind in seclusion with his babies and only the closest of his friends.

Hopes & Sparks
“Paper Lanterns & Fireworks”

loi krathong
the origin of ten's requite is the holiday loi krathong, which birthed his belief and manifestations of gifts into his life. the holiday of wishes floated along rivers to carry hopes to the moon and bad tidings away, ten's gift is a unique manipulation of fresh water that allows him to carry the negatives away from those who light build a vessel for them to drift upon. ten can build any measure of krathong or lantern because of this, to aid others in their journey for hope and wish, and he can even use any gauge of help they've given an aquatic creature to aid in granting a human their wishes. though not mae kongkha, the mother of waters, ten can assure the people that their offerings are taken and return them favors for the ritual. he also has full access and control to the festivities elsewise: from fireworks and dancing dragons to the influence of beauty enhanced in his baefa gifts, his requite has tangled into his baefa and created something uniquely him.

floating wishes
loi krathon's true intent is a renewal to life, a fresh start. by building a krathong and filling it with self and offerings, one can light a candle and let the water carry it to the goddess. ten, in this manner, makes it rather easier; he can manipulate and grant wishes to people who use his krathongs or send something floating along water he is currently connecting to. there is no wish too great or too small and, thanks to the nature of his magic from his baefa blood, ten has no limitations on how many wishes he can grant at once; he can fill a festival with new hope or flood a city, easily.

kongming & fireworks
thanks to the amaglamation of his magic and his human gifts: he can create out of magic any measure of paper and fill it with unique techniques of fire and fireworks. of these two feats ten is unmatched; he can control the hue, brightness, loudness and consistency of any and all pyrotechnics, not just those he creates. this is thanks to the way his requite draws off his magic, making the very nature of it an impossible force. things like origami warriors and card soldiers are simple enough, although complications arise whenever ten tries to use paper without charms in storms, or near fire he isn't in control of.

magic & manipulation
the extension of his magic and influence over loi krathong as an idea gives ten the ability to conjure all forms of paper charms and magical gifts; he can make people protective pieces, barriers born from necklaces or bracelets or even bookmarks. he can influence land by creating holy radius around a charm that keeps demons at bay. if it can be a charm, a gift for just a short space or small cluster of people, ten can make it; his charms break after continuous use, however, and naturally decay over a period of one lunar cycle, returning to the ether and nature where they belong. he can recharm any person any number of times.

sparks & explosions
uniquely, ten's paper lanterns and nature boats are filled with a glow he creates; this glow, however, can become an explosive display any time he wishes it. through this, ten can create a paper lantern that explodes like a time bomb. he is capable of controlling the time until detonation, the colors, shape, size of explosion and any measure of volatility that goes into both his fireworks and his bombs. the bombs themselves can only be energy that floods a lantern or krathong, however, meaning he cannot just make a literal nuclear bomb; it would be a pretty paper lantern that then becomes massive concussive force. using this, with his paper magic and charms, ten can even control massive paper dragons and lions as seen in typical holiday festivals and parades.

Wing Lights
“Sex Sins & Justice Served”

baefa: wing lights
the baefa are trapped lights who inhabit a world known as sarmda: darkness where patches of illumination born from their nature has given back forests and light to the soil. they have always mingled between sarmda and earth, traveling from one of two points: portals trapped in forests, one in india and one in thailand. they have become part of the mythology of the planets — in japan, they became known as hone-onna; in hindu they became nariphon, or makkaliphon; in ireland, tehy are the baobhan sith. nature spiritual fae who manipulate sex and desire. ten's family is unique in the manner of their manifestation of wings: delicate photokinetic wings that drap their bodies like strands of light and bloom up into wings.

magic lights
ten's own wings shroud him in what looks like silk made purely of light along with an emission of phosporescent dust. this dust, upon contact, can manage a variety of affects: hallucinatory illusions, memory erasure, alteration of personalities and, most potently, the projection of an aura of charm or terror. simply seeing his wings creates a sense of being met with something mighty and unbreakable.

glowing bodies
the baefa are light in the purest sense. capable of replacing the subject of violence and still glowing, they are unbreakable sources of illumination no matter where they are. because of their light, baefa can replenish themselves, grow nature and influence the land itself wherever they so choose to live. they are masters of all forms of light: day, night, twilight, nuturing, rare, first and sacred. baefa may even use light to force manipulate truth whether to force confessions or rewrite sincerity, to erase their influence in the destiny a subject has brought unto themselves.

lust vessels & violent crimes
the baefa are masters of sex and sin to the point of personifying the ideas themselves. they are specialists and principle manipulators of sexuality and sins affording them influences over emotions, physical natures, spiritual founding and the source of vice itself. baefa can enhance sin in already sinful people but, for the most part, use the nature of their unnatural beauty and auras to entice others; they derive pleasure to the pinnacle of all pleasure from the simplest of gestures and appeal to the sexuality even of those that mean them harm.

understanding & awareness
because of their natures involved with sin the baefa are exceptional at noticing intent and wickedness. there is no power in the universe that may hide motivation and morality from a baefa; even the most divine of beings have succumb to baefa and been fooled into harming one instead of a mortal or fellow deity. they also understand how good someone is in turn, allowing them to give gifts to kind people who try and do well.

wicked punishment
when someone intends harm on another, sexually, physically, emotionally or otherwise, the baefa know. they have in them the ability to insert themselves in place of the intended victim and through this earn an empowerment; over the time together, the baefa grows stronger, taking on more and more power until they finally come to terms with whatever destiny they choose to lock onto the being; no god, being or entity can withdraw themselves from the torments of the baefa. to have done action is to find yourself under the sway of their control.

take aways
through taking on the role of victim the baefa use their natures to absorb and drain from the offender. from life source to metaphorical notions, the baefa may take anything and swallow it to empower themselves further. there is nothing that the baefa cannot take without repricussion as they take on the pain another would have otherwise suffered; they can take wealth, information, knowledge, dreams, hopes, luck, and even destiny itself from someone. the baefa can also remove powers from all including gods themselves; there are stories of god-men who have raped the baefa thinking them some obsession instead only to fall into a coma and wake with all their gifts and powers stripped from them.

sex & harm
as personifications of sex the baefa are among the best vessels for it. they can match even the most divine forms of sex and immitate any talent there within. the baefa, because of this, can force orgasms unto themselves so as to continue a relationship until the contract is complete; they can use the process of sex to create torment, as well, until the end of punishment has been created. abusing a baefa in bed because they can take it creates slow misery in the day to day life of the offender: minor curses, nightmares, madness growing through their days until the baefa dooms them for the rest of their eternity.

kind rewards
Just as a baefa make remove, dismiss, absorb or destroy the gifts of even the gods, they are capable of giving gifts unto those who would otherwise not have any. They use the pain and horrors they've absorbed, the trauma, to conjure gifts to those who are kind: a baefa can turn a simple person into a gift of the gods themselves just for being kind. Because Ten has a natural preference for men, his gift is given easiest to other men, or men who would give it to the women Ten wants to assist and help. He can use gifts with women, however.

destiny & fortune
Because of the level of their influence and control baefa are, essentially, weavers of fate itself. Even souls not bound to karma, cycles or punishment and justice of morality are subdued to them once they have sex with a baefa. They influence the destiny and rewrite what seems more appropriate: giving fortune to kindness, or stealing life itself from sex offenders and those who intend harm.

Plots.



Pets.

ginger, rednose pit.
B: 11/11/18 • first born / ginger is silly and strange the first baby / cantalope fan
sandy & danny, staffbulls.
B: 06/23/20 • dee & dumb / inseperable at the kennel so, ten adopted them both / lovers / baby protectors
winnie, pompom.
B: 05/18/16 • jeff's dog / winnie the pooh / a tiny gentleman / fashion king
misc facts.

⚶ award winning choreographer, ten has recieved accolades from industry voice awards, dance spirit magazine, debbie reynolds school and the international dance showcase.

⚶ started letters of love; a letter-drive charity where he donates $1 per letter — finding love in life and reasons to live on — to cancer research.

⚶ 3,443,411 subscribers on youtube; 115 videos; 500,881,676 views; he also teaches around the world and has won four different 'best class' awards.

⚶ has choreographed for: jennifer lopez, julianne & derek hough, lidnsey stirling, sing your face off, world of dance, x-factor, jolin tsai, red velvet, nu'est, girls' generation, jo kwon, after school, blackpink, troye sivan, patrickstarrr, black eyed peas, justin bieber & more.

⚶ because ten was meant to be a woman, he has never had to forcefully sway heterosexual males; they have an inclination and his shapeshifting finishes gapping what the unnatural nature of his beauty already provides in their desire.

⚶ once every six months, or so, ten loses a bit of his light temporarily; this brings forth the pain he makes his flesh endure, which leaves him in need of a couple of days in sarmda to heal his mind, spirit and body whole again.

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